Sex and the City 2 : The Carrie-on

I've never written a film review before, but after watching the hyped SATC2 I felt completely compelled. If you are a fan of the fab four and have followed them throughout the six series, you may be feeling mixed emotions. If you haven't followed the series but watched the recent cinematic event, you'll probably be wondering what the fuss is about.

The writers (no, not Carrie), do well to address realistic issues. Samantha for example works her way through wonder drugs and pills in order to control her menopause. Miranda and Charlotte have a touching and emotional heart-to-heart about the difficulties of being a mother, not to mention Charlotte's paranoia of having a 'bouncy' and beautiful nanny at home alone with the hubby.

Whilst there are titbits of sisterhood and friendship, the glue that binds it together has become materialistic, unrealistic and down right disrespectful.

There are many occassions that display a lack of respect for Abu Dhabi's Islamic culture. Samantha insists on wearing revealling clothing, getting physcial on a public beach (despite knowing the laws), and waves condoms and two fingers towards muslim men who are sexually very conservative. There are even muslim women who lure the 4 ladies into a hidden room. Here, they take off their religious clothing and show us 2010's S/S catwalk collection. Not a film based on facts then.

Miranda saves the girls a bit of dignity by learning some of the native language, and telling the girl's (or us) occassionally about the land's history and culture.

Stephen Farber, the Hollywood Reporter's reviewer stated: "The rather scathing portrayal of Muslim society no doubt will stir controversy, especially in a frothy summer entertainment, but there's something bracing about the film's saucy political incorrectness. Or is it politically correct?" That's up to you. If you want to read more on this topic check out an article by a Daily Mail journo - a paper I'm unlikely to recommend again; Sex And The City 2 Reviews: Critic Calls Film 'Anti-Muslim'

Carrie mocks a woman wearing a niqab (the back viel covering a woman's facial features). They laugh as she lifts it every time she eats a chip, and exclaims how lucky she is for not having to run her botox bill high. Is this realism, or purely offensive?

Amongst the gay weddings and shopping trips, I also come to realise that in fact, Carrie is a TERRIBLE role model for women. Yes, she inspires us to write about love and what we believe in. However she treats Big (who she now calls John, as she seems to be all grown up) like an incompetant child.

The two spare a romantic evening watching a black and white movie in a hotel. In order to share more of those times, Big purchases a TV for thier bedroom as an anniversary present. She is instantly unthankful and pulls a strop. The following night, Carrie insists that he join her for Smith's premiere, after he has spent a very stressful day at work. She guilt trips him into coming, and drags him home again once she spies him chatting with a woman. At home, he then turns on the TV, which is apparently all too much for Carrie. 
Another strop is born, and she spends the next two days at her old apartment. 

To top off her behaviour, she then cheats on Big with Aiden on holiday in Abu Dhabi - they bumped into each other there, surely fate must be telling them to cheat?! This is what she appears to argue.

Carrie runs back to her hotel like a headless chicken, and after insulting Charlotte's marraige and cancelling dinenr with the girl's to see Aiden, she insists they must come to her beck and call and listen to her warblings and worries for hours. She ignores thier advice (why bother?) and tells Big about the kiss. Big is obviously left distraught.

But you guessed it. It's SATC. There is of course a happy ending to leave all the women out there with a feeling of hope. He gives her a huge wedding ring (a ring she previously refused to wear, despite giving each other thier vows almost three years prior). And of course, they are the happy couple once again.

All kinds of women everywhere, myself included, do or have looked up to Carrie at some point. We've watched an episode and related with a difficult situation. We've sat on tenterhooks wondering how she's going to cope with it; we need the reassurance that our relationships will be just fine too. 
But if this is how we are meant to treat men and show respect for our realtionships, I would rather put my faith in Katie Price.  

A movie that delivers some sweet SATC satisfaction if you're a fan. But expect to leave with a slightly sour taste in your mouth, and the wish never the do kareoke with your girls again...

Recent Ramblings

I'm in bed. I'm feeling poo. I'm missing the last day of uni. And to make it worse, it's Holly Willoughby's day off on This Morning, nooo!

Aaaah so here's a good time to bring the blogging world up to date with my escapades. This week's been pretty cool! I've had loads of Ann Summers bookings and have had some pretty cool days out. And The Wombats even got back to me with their completed interview answers! Keep your eyes out for my exclusive interview with them on their new album!

Saturday, Mike, gorgeous Elena and I headed down to Flamingo Park, whoopla! Despite all the cool animals, Elena just wanted to feed the ducks for 3 hours. Easily pleased!

I LOVE penguins, and was so excited to feed them fish. Last time I came to Flamingo Park I was actually on holiday here (before I moved).

The wallabies were awesome too. However we fed them seeds for about 20 minutes before someone came over and pointed out the tiny hidden sign that says how sick seeds make them. Oops!

Sunday, Anneka picked me up in her new wheels! Well it was her second car. Driving a week and her first one blew up! Though despite the scary omen her driving was wicked and we went down to Ventnor beach for some essential sea, sand and seafood! Whilst Marc and his friend Ed had 'gone fishin' we sizzled as some weird bloke asked what my back tattoo means. Now I understand what Mike means, when he gets pissed off with strangers feeling entitled to ask about them!

Oh the food! I tried ginger ice-cream which was surreal and a fresh crab baguette at the spyglass over looking the sea! Whoever says the island is boring needs to get about!

Also headed down to the Boathouse pub in Seaview with week for drinks with Mike. After wrongly predicting the temperature of being down the seafront at night, the only method of warm travel was to skip home.

I'm off to make mulligatawny, a cup of Lady Grey and get ready to watch Lost. Oh my thrilling life (:

x

Some Great Escape Highlights...


HURTS

Manchester electronica duo Hurts graced Coalition with a slick performance. Their performance was visually endearing with projections and dramatic deliverance, looking and sounding like no other band at present. Dressed immaculately in tuxes, vocalists Theo Hutchcraft and Ian Anderson gave us powerful vocals. Their sinister pop sound is reminiscent of Gary Numan. However Hurts have adapted the sound and made it applicable for the 21st century. New single Better Than Love promises to be a cult summer hit.


1, 2, 3

Hailing as a coalition from Pittsburgh and LA, 1, 2, 3 played their 1st UK show (only their second as a band) at Jam. Their nostalgic performance was surprisingly well executed. However their inexperience together as a band shone through. Disorganisation with pedals meant that the crowd were left waiting for five minutes after the first song before hearing another. The rest of the show continued without a hitch, allowing us to appreciate Nic Snyder’s soulful voice and fifties influence. As I did, you may find it impossible to find their Myspace, so here's a helper.

Fuck you M.E!

So I've been on various chinese herbal medicines for about 3 months now. At the moment I'm on Xi Yang Sen and Ling Zhi (which my boyfriend curiously tells me that they're the spitting image of magic mushrooms)! I have to put them in my tea, and drink about 5 cups a day - eeeeeasy! It's costing £60 a month, but after a depressing year of canceling plans and having to take it boringly easy, anything that will give me some of my energy back is worth the world and more to me!

On a good day, I have up to 50% more energy, and could not be happier!!! Before developing M.E, I had two friends who had it. Unfortunately, one of them came face to face with old fashioned accusations such as "You're only attention-seeking", "she's just depressed". Thankfully, I haven't had to deal with as much of this nonsense.

It takes a year before you can be officially diagnosed. As soon as the anniversary came around, I got put onto the NHS waiting list, and will start seeing a specialist from June 10th!

 I was amazed when I saw BRMC a month ago, and was able to mosh about without feeling too dead the next day (despite having a neck that felt like it was about to snap!) The gig was followed by a few calm days. But 3 months ago, it was looking like I'd have to either sell the ticket, or spend the following 2/3 days resting and canceling any plans.

So this weekend is a step up of a challenge - I'm off to Great Escape! Well, I should be leaving for Brighton right now, as it starts tonight. But I need to be realistic. I don't have the energy to party 3 nights in a row. I'm hoping I can do two though. That'll be a wonderful sign that I am getting better!

BOUNCING OFF THE FLOORS AND WALLS 

It’s a wonder that Brighton four-piece Floors and Walls aren’t more recognised.  Especially when their live shows have been described as “being beaten up by ten skinheads whilst getting a blow job”. Who wouldn’t want violent passion and crude satisfaction from a live show? After the cult success of their 2007 debut ‘What Can We Do Today‘, Floors and Walls are set to return with a new EP and a taste of the mainstream. 

I’d like to paint you a picture of where we are. I’d like to explain that I’m meeting the band in a hotel room that’s been ripped apart up from several nights of partying. That there’s a TV-shaped hole in the window. Hell, there’s even a couple of poodles running around dressed in Floors and Walls merch. I can’t tell you these things. The current schedule for Floors and Walls is a hectic one, so we back and forth e-mails. Well, meeting in person is so last week…

Let’s get one thing straight. Trying to put these guys in a box would be like trying to get a  three-legged man to hopscotch. Descriptions such as ‘Chav-core’ and being a ‘companion to the spliff and play-station generation’ are used as a starting point. Imagining the musical soundings of Kate Nash and Mike Skinner‘s love children would also be of some help. Since forming in Spring 2006, Floors and Walls have created a whirlwind hybrid of genres under one name. 

However, you could take vocalist and MC Alex Adams’ attempted definition on board; “We’re a combination of Funked-out, jungled-up, trip-hop rock and pop debauchery. We love being hard to define. Although it was more of a happy accident rather than a planned move,” he says. We’ve always tried to do our own thing. We’ve always looked up to bands who are willing to do something a bit different and its nice to emulate that ethos.” The band name Rage Against the Machine, Gorillaz and Beastie Boys as some of their influences, and understandably so.  

Guitarist Dom McNulty adds, “I think the best music happens when you combine polar opposites. We've been described as 'Head Automatica and Sonic Boom Six by way of Asian Dub Foundation and Dub War'!"

Don’t be alarmed. Yes, these four look like they walked out of JD Sports whilst cussing each other’s mammas, but their music suggests otherwise. 

The story began when Dom and drummer Adam Shamp were both living above Brighton’s bustling Audio Bar when they met Ian Booth, a bassist. The three of them shared a love of rock and alternative music whilst studying at BIMM (Brighton Institute of Modern Music). However the band were finally sewn together when vocalist Alex came into the mix. 

“We found ourselves in a hole in the cliff playing a couple of Chilli’s tracks”, Alex claims. “It was good but there was nothing in those tracks that excited us. The boy’s had been jamming Megalomaniac, an Incubus track, and I just put some of my lyrics to it”. 

Dom explains that that was the moment he realised that something special was about to come together. “Alex came from a background totally withdrawn from the rock scene that the rest of  us were so familiar with. He started off mc-ing at clubs around Kent”, informs Dom. “I was drawn in by the sound of some great riffs with Alex’s fast paced lyrics”. 

As a band that have been churned out by the same institute we have to thank for the Kooks, you would expect them to deliver alternative love songs with a glossy finish and inoffensive lyrics. Yet when listening to their new self-titled EP, all assumptions of perfect strumming and overly pitch perfect tones can be dropped.  

“The new E.P is a bit darker and heavier”, Bassist Ian exclaims. “But we’re still making sure that the emphasis is on the song. It’s a good representation of where we are as a band right now and where we are looking to move the music”. 

Alex adds passionatley, “It’s much more mature sound to when we released the first album. We have spent the entire time touring and trying to discover the band that we really want to be. It has focused us as a group and as we’ve improved as musicians. We’ve experimented with the sound”. 

And experimented they have. Their new EP displays tougher melodic hooks, anthemic choruses and statement guitar work reminiscent of AFI. Ian proclaims that “everyone can take something from it. It’s so diverse”.  New track Straight Jacket stands out as a mile stone, and promises a rocketing sound that is unique yet commercial enough to be their breakthrough release. Whilst Walk The Line delivers a satisfyingly dissonant organised chaos that stimulates the dancing bones.  

You can forgive them for their hippy-like reflective state after the journey they’ve been on - In 2008, they entered Global Battle of the Bands (Gbob). Imagine Eurovision but without the costumes that your Mum would wear to her Friends Reunited School Disco. Or the sarcastic commentary, that actually, isn’t sarcastic. In fact, this is a worldwide talent competition that is worth following. Take note, Simon Cowell.

Floors and Walls beat 26 other countries to win the competition and scoop $100,000. They graciously kicked Australian runners up Powerage and Japan’s female punk group Pinky Piglets to the side to win global glory. When asked about the achievement the guys are chuffed. In fact, they go a bit ‘Miss World’.

“We met some amazing people from around the world”, guffaws guitarist Dom. “It was quite inspiring that everyone was so respectful of each other and what each one was trying to do. Obviously it was a competition but there was no animosity between anyone. It was a very surreal experience.”

Any fan of the band know that live shows are Floors and Walls’ forte. A dull second there is not whilst the four animate around the stage as if trying to put out a chip-pan fire with bare hands. Alex is a passionate vocalist, who shares his huge range with an energised audience. His voice has a nasal quality that is moreish and oddly somehow soothing, keeping you on your toes with their catalogue of crowd pleasers. 

‘Tracey’ for one is a favourite amongst fans. About a desperate groupie it includes the rap, “Four different people in one day, one in the park and one in the train. But one weren’t enough so she moved to two, having them both whilst her Mum was in the next room”. Lyricist Alex has a talent of capturing everyday stories and making them remarkable. A Floors and Walls gig is where chaotic sing-a-longs are the norm. The eclectic beats often mean you don’t know whether to mosh, skank or break-dance. 

Dom exclaims excitedly, “the live scene is where we feel most comfortable and our passion can really come through. We genuinely enjoy what we do and buzz off playing so the energy comes very naturally”.

Luck seems to be on the lad’s side. The prize money couldn’t have come at a better time, after leaving their label South Coast Sounds in 2007. “The plan is to use the money to record a new album. We’re in the process of writing at the moment”, states Alex. It means we can completely fund a self release and have total control over what we do. This is a very exciting prospect for us. We can take our time making sure we have got the very best of ourselves.  We are looking to the beginning of 2011 for a full release”. 

What Can We Do Today was produced in the studio by PJ Andrews - the man behind Kula Shaker. Anthem 'Tracey' from the album was even completed with the help two of the judges from GBOB, Glen Matlock and producer Jim Lowe (the man behind the Stereophonics). “Working with a number one selling producer and one of the Sex Pistols made us step up our game hugely”, explains Ian. “It put us out of our comfort zone”.

However they’re now looking for a different producer to tie the new album together. “One of the bonuses of taking our time is that we can search for the right person to bring on board”, states Alex with enthusiasm. “We feel it is always good to have an outside perspective but that someone has to understand what you are trying to achieve”. The guys are also looking to master some of it themselves. Dom is a keen producer, and worked with fellow Brighton band The Deal Was For The Diamond in the studio. 

With an EP release about to happen and an album already being written, these lads play as hard as they work. “At Bestival last year we got very drunk and took full advantage of the hot tub”, drummer Adam remembers. “We tried, failing miserably, to coerce Lily Allen into jumping in with us. She was having none of it”. 

If you happen to catch Floors and Walls live this summer (in between lurring pop royalty into hot tubs) prepare to fall in love with an underground phenomenon.